Tēnā koe,
I’m a Ngāti Awa, Ngāi Tūhoe and Ngāti Pūkeko artist, researcher, collective-member and mum based in Whakatāne, Aotearoa.
I’m passionate about earth pigments, mātauranga Māori, collectivity and mana motuhake.
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McCahon House together with founding partners STILL and Asia New Zealand Foundation, developed the Naoshima Artist in Residence, a new month-long residency opportunity for a New Zealand artist in Japan, to coincide with the Setouchi Triennale in 2025.
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Sarah split the residency into two, two week periods and traveled to the Seto Inland Sea in September 2024 and April 2025. Both in Japan, and at home, she produced a body of work made up of moving image, earth-pigment watercolours and sculpture entitled The Stones Remember, and I Listen.
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Curated by Sophie O’Brien, The Polyphonic Sea was housed at Bundanon in the Dharawal Country of south eastern Australia. Languages, both spoken and embedded in nature, are used as anchor points by the twelve artists from Aotearoa.
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Curated and commissioned by Hāmiora Bailey for Auckland Pride this work explores the whakatāuki ‘e kore a Parawhenuamea e haere ki te kore a Rakahore’ – freshwater does not go without rocks.
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The Caselberg Trust offers an annual fully-funded 3-month long residency on the Otago Peninsula. During the residency I focused on the Tūhoe concept of matemateāone - developing an earth-pigment archive which was returned to the land.
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An exhibition of painting, sculpture and moving image at Blue Oyster Art Project Space in Dunedin.
re:place is the culmination of my time in Whakaohorahi Broad Bay on Muaūpoko Otago Peninsula in Ōtepoti between March and May 2022.
Commercial Design
Rooted in te ao Māori, shaped by nature, and refined through a photographer’s lens - my commercial design practice blends storytelling with impact. From branding to bespoke visuals, each piece speaks to place, identity, and connection.
